That neet,
‘e were steppin’ out
Wi’ a lass
Fro’ t’next street,
An’ ‘e wanted t’impress.
A bonnie lass,
Wi’ a beamin’ smile.
‘e’d washed an’ shaved,
An’ Brylcreemed ‘is yur,
But it weren’t reet –
Summat were missin’
It clicked
‘e ‘adn’t polished ‘is best clogs!
Reverently, ‘e got ‘em out o’ t’cupboard
An’ lovingly polished ‘em
‘till y’could see y’smile i’t’leather
Best clogs shinin’
Ready fer t’neet
Ready fer t’lass
But
That weren’t t’reason fer ‘is best clogs,
Nay,
‘e were tekkin’ t’lass to
“The Lord Nelson Hotel”
An’ th’”Hotel” bit called fer t’best!
(it were a pub really,
But it sounded posh to a tackler)
©Alan McKean, 23 January 2018
(Tacklers were not renowned for their intelligence)
Category: Lancashire
Our Lass
Our Lass were a bonnie lass,
Wi’ a big, beaming smile.
She could coax t, sun
Out from behind t, clouds
At t’ drop of a clog.
Nobbut seventeen year owd
When I first seen her,
Trundling t’setts t’ t’ mill
On a cowd, wintry day,
Wakin’ to a weak sun.
She’d a smile t’ tempt angels,
And I thowt “Aye, she’ll do”
So I followed her
T’ see which shed she were in,
Champion, next t’ mine.
I found t’ courage t’ask
If she’d step out wi’ me
An bless me, she did!
We courted fer two year
‘till I asked her t’ marry me.
I were floating o’er t’ clouds
When she said she would.
Th’ onny snag were t’ cost,
A couple o’ weavers gerrin’ wed
Might cost a bob or two.
It were a reet gradely do,
An’ it set t’ tone
Fer t’ next lump o’ years
Bad times, good times
But always me an’ Our Lass.
Wi’ childer an’ granchilder
We ‘ad some times
When belts had t’ be tightened,
An’ bombs, an’ rations an’ umpteen upheavals,
But through it all, it were still me an’ Our Lass.
She were a bonnie lass,
Seventeen when I first met her,
Eighty-seven when she said goodbye,
Just me an’ her,
Me an’ Our Lass.
An that’s why I’m so lucky –
Y’ see, I’m never lonely.
I’ve always got seventy years
O’ mem’ries t’ use up,
Seventy years of me, an' Our Lass
©Alan McKean, November 2014
Mester Wood
“If tha can’t see th’ills, it’s rainin’
If tha can see ‘em, it’s gonna”
Th’ owd mon as used to live next door
Allus said that.
He were a grand owd lad,
An’ th’ owd lass as lived two door up
Allus called ‘im “Mester Wood”,
As ‘e used t’be a mill engineer,
An’ ‘is position commanded the “Mester”
‘E were nigh on eighty
When we moved in next door,
An’ looked frail an’ tottery,
But ‘is mind were as sharp as a knife,
An’ when he made ‘is own bread,
Ee lad, t’smell were grand.
‘Is daughter came t’ see ‘im
Ev’ry few week,
As did ‘is son,
So ‘e’ were well looked after,
But time began
T’tek its toll on th’owd lad,
An’ ‘e moved out,
To an ‘ome f’r owd fowk.
We didn’t see much
O’th’owd mon after that,
An’ we got new neighbours,
But it weren’t the same,
T’Mester was gone.
©Alan McKean
March 2007
Mill steps

Worn away
By
The clogs
The weariness
The tears
Mill steps
Carrying the weight of years
From the sheds
To the carts in the yard
Clothing the nation
But not the weavers,
They’re in hand-me-downs
© Alan McKean June 2021
The stairwell of Asquith Bottoms Mil, in Sowerby Bridge
Roy’s Rolls
A painting by Simon Footitt. Roy’s Rolls is a fictitious cafe used in the TV Soap “Coronation Street”

Wonky lamp highlights
Café and/or butty shop.
A welcoming brew,
Or is’t just a fantasy
On a cod, damp TV set?
©Alan McKean, 23 January 2026
Rover’s Return
(Painting by Simon Footitt)
(The Rover’s Return is a fictitious pub used in the TV Soap “Coronation Street”

A cooling pint, a warming smile
Best pint around within five mile
A wonky lamp, welcoming green door
An ‘ot ‘otpot (you’ll ask for more)
Kaleidoscopic clientele
A warts and all pub (or hotel)
So pull up a brew, and sit thisen
Enjoy the show, just like misen
Rawtenstall Cemetery
God it’s a steep climb!
If you can make it to the Chapel
You’ll not be a resident for a while.
The sun reflects off the gold lettering
Somebody went to sleep in such and such a year
Somebody else passed over, when?
Sleep well Nan.
One bench to sit on, and that’s at the top
Facing the new plots.
Still, it is peaceful, restful
The freedom to sit and ponder “Grandma’s Garden”
Some sad graves, a little girl,
Born, died 23rd December
Poor lass, poor parents, bastard Christmas.
Another, five months old
A stone slab mourning unfulfilled aspirations.
Muslim, Chinese, Christian, Jewish, no religion
All here - all locals
All Lancashire lads and lasses.
Thanks for allowing me to spend lunch with you
Tara then
September 2003
Clogs
I doan’t remember clearly
T’time as I’d getten mi fust pair,
S’as though I’d allus ‘ad ‘em.
Fra’ two yur owd t’ now,
In mi eighties,
They’ve allus bin theer.
They’re noisy an’ ‘eavy,
But after a shift in t’mill,
Eeh lad, they’ve comfort.
A bit o’ leather
A bit o’ wood,
A lifetime o’ mem’ries.
Kids wore ‘em for a while,
Grandchilder, not at a’.
Now, s’onny Morris Dancers ‘as ‘em.
No more
Sparkin’ th’irons
Up t’back snicket.
No more
Clitterin’ o’ t’ clogs on t’ setts.
No more cloggy-bogs,
When t’snow on t’clog bottoms
Teks thi three inches off t’floor.
I’ve still got mi fust pair,
T’tiny clogs on t’shelf.
They’ll not be wore again.
Owd mem’ries an’ lost generations,
Remembered onny
On t’pages o’ time.
T’time o’ clogs is gone.
Writing dialect poetry can be challenging. This piece was written from the point of view of an old man reflecting on his childhood, and how times change.